A black man walks a black horse across a field, mountains in the background.

Lessons of the Hour—Frederick Douglass

March 3–May 12, 2019

Media Arts Watch Gallery

Lessons of the Hour is a meditation on the life, words, and actions of Frederick Douglass (1818–1895), the visionary African American abolitionist and freed slave, and on the issues of social justice that shaped his life’s work. More poem than story, ten video projections provide visitors with a special opportunity to be immersed in the spirit of this monumental historical figure.

Lessons of the Hour—Frederick Douglass is the second exhibition in MAG’s “Reflections on Place” series of media art commissions informed by the history, culture, and politics of the City of Rochester, NY.

A still from Isaac Julien's Lessons of the Hours.
Lessons of the Hour—Frederick Douglass (still), 2019
Isaac Julien
Ten-channel color video with sound. Commissioned and acquired by the Memorial Art Gallery with the partnership of the Virginia Museum of Fine Arts, and with generous support from Mark Falcone and Ellen Bruss, the Zell Family, Ford Foundation, VIA Art Fund, Lori Van Dusen, and Deborah Ronnen and Sherman Levey. The commission and acquisition were also made possible by Barbara and Aaron Levine, the Maurice and Maxine Forman Fund, the Marion Stratton Gould Fund, the Herdle-Moore Fund, the Strasenburgh Fund, and the Lyman K. and Eleanore B. Stuart Endowment Fund at the Memorial Art Gallery, and the Arthur and Margaret Glasgow Endowment at the Virginia Museum of Fine Arts. Production of the work was generously supported by Metro Pictures, New York; Victoria Miro, London/Venice; the Arts Division of the University of California Santa Cruz; and by Eastman Kodak Company, on whose film stock the installation was shot, 2019.1. © Isaac Julien. Photo courtesy the Artist, Metro Pictures New York, and Victoria Miro London/Venice.

Media


The “Reflections on Place” series of media art commissions by the Memorial Art Gallery is presented by the Zell Family, and Deborah Ronnen and Sherman Levey.

Lessons of the Hour was commissioned and acquired by the Memorial Art Gallery with the partnership of the Virginia Museum of Fine Arts, and with generous support from Mark Falcone and Ellen Bruss, Ford Foundation, VIA Art Fund, and Lori Van Dusen. The commission is also made possible by Barbara and Aaron Levine, Deborah Ronnen, the Maurice and Maxine Forman Fund, the Marion Stratton Gould Fund, the Herdle-Moore Fund, the Strasenburgh Fund, and the Lyman K. and Eleanore B. Stuart Endowment Fund. Production of the work is generously supported by Metro Pictures, New York; Victoria Miro, London/Venice; the Arts Division of the University of California Santa Cruz; and by Eastman Kodak Company, on whose film stock the installation was shot.

In Rochester, the exhibition is made possible by the Margaret Davis Friedlich and Alan and Sylvia Davis Memorial Fund, the Robert A. and Maureen S. Dobies Endowment Fund, the Kayser Fund, the Elizabeth and Eric Rennert Family Fund, the Robert L. and Mary L. Sproull Fund, and an anonymous donor.

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Featured Image CreditIsaac Julien, Lessons of the Hour—Frederick Douglass (still, detail), 2019. Ten-channel color video with sound. Commissioned and acquired by the Memorial Art Gallery with the partnership of the Virginia Museum of Fine Arts, and with generous support from Mark Falcone and Ellen Bruss, the Zell Family, Ford Foundation, VIA Art Fund, Lori Van Dusen, and Deborah Ronnen and Sherman Levey. The commission and acquisition were also made possible by Barbara and Aaron Levine, the Maurice and Maxine Forman Fund, the Marion Stratton Gould Fund, the Herdle-Moore Fund, the Strasenburgh Fund, and the Lyman K. and Eleanore B. Stuart Endowment Fund at the Memorial Art Gallery, and the Arthur and Margaret Glasgow Endowment at the Virginia Museum of Fine Arts. Production of the work was generously supported by Metro Pictures, New York; Victoria Miro, London/Venice; the Arts Division of the University of California Santa Cruz; and by Eastman Kodak Company, on whose film stock the installation was shot, 2019.1. © Isaac Julien. Photo courtesy the Artist, Metro Pictures New York, and Victoria Miro London/Venice.

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