Past Forward: Native American Art from Gilcrease Museum will be featured in MAG’s Docent Gallery from June 1 to August 25, 2024. This exhibition illuminates the extensive collection built by Native philanthropist and arts patron Thomas Gilcrease (Muscogee Nation; 1890–1962).
Surveying more than 3,000 years of Native American art, it reveals his unprecedented devotion to Indigenous traditions that is carried on by Gilcrease Museum today. Through portraiture, abstraction, sculpture, and archaeological works, viewers will explore visual motifs and systems of knowledge that connect different ancestries, time, and space. This enriching exhibition affirms these works as vital to American art history.
American oilman Thomas Gilcrease, the founder of Gilcrease Museum, Tulsa, Oklahoma, was of Muscogee (Creek) ancestry and sought to tell the story of the United States through art that emphasized Native cultures and the history of the American West. As scholars and curators increasingly embrace the imperative to foreground Native perspectives, Gilcrease Museum is distinct for having been shaped by the connoisseurship of an Indigenous collector who maintained personal relationships with a number of the Native artists whose works he acquired.
Past Forward takes a thematic approach to Native American art history, considering ways in which Indigenous artists across time have conceptualized and represented similar subjects. The exhibition will be structured around transhistorical themes, each featuring two- and three-dimensional Indigenous objects ranging from ancient to contemporary. As a comparative context, a small selection of works by Euro-American artists such as Charles Russell and George Catlin depicting Native American peoples and landscapes are included. In addition to offering an overview of Indigenous visual culture through highlights from Gilcrease Museum, Past Forward also amplifies the perspectives of Native community members, scholars, and artists through the exhibition’s multi-vocal interpretive program and catalog entries that feature varied Indigenous perspectives.
Curators for Past Forward: Native American Art from Gilcrease Museum
The exhibition and tour are co-organized by the American Federation of Arts and the Thomas Gilcrease Institute of American History and Art. The guest curators are Chelsea M. Herr and Janet Catherine Berlo:
- Chelsea M. Herr (Choctaw Nation of Oklahoma) is the Jack & Maxine Zarrow Curator for Indigenous Art and Culture at Gilcrease Museum in Tulsa, Oklahoma. She earned a PhD from the University of Oklahoma, writing a dissertation on Indigenous Futurisms in the work of Native North American artists. She recently guest curated Stitched in Sovereignty: Contemporary Beadwork from Indigenous North America at the Couse-Sharp Historic Site in Taos, New Mexico, and guest co-curated Indigenous Futurisms: Transcending Past/Present/Future at the Museum of Contemporary Native Arts in Santa Fe.
- Janet Catherine Berlo, Professor of Art History and Visual and Cultural Studies Emerita at the University of Rochester, holds a PhD in History of Art from Yale. She is the author of Native North American Art (with Ruth
Phillips, second edition 2015), Plains Indian Drawings 1865–1935 (the catalog for an AFA traveling exhibition, 1998), Spirit Beings and Sun Dancers: Black Hawk’s Vision of a Lakota World (2000), Arthur Amiotte: Collages 1988–2006 (2006), José Bedia: Transcultural Pilgrim (with Judith Bettelheim, 2011), and many other publications on the arts of the Americas.
In Rochester, the exhibition is sponsored by Caitlin and Benn Kireker and Marion Swett Robinson, with additional support from Richard A. Bloom, MD, the Claymore (Cle’ment) and Good Voice Elk Families, Dr. Michael J. Feinstein, Charlotte and Raul Herrera, and Tom and Ebets Judson. Funding is also provided by Ronald C. Lovell.
The Robert L. and Mary L. Sproull Fund and the Nancy R. Turner Fund for Temporary Exhibitions also support the exhibition.
ABOUT THE AMERICAN FEDERATION OF ARTS
The American Federation of Arts is the leader in traveling exhibitions internationally. A nonprofit organization founded in 1909, the AFA is dedicated to enriching the public’s experience and understanding of the visual arts through organizing and touring art exhibitions for presentation in museums around the world, publishing exhibition catalogues featuring important scholarly research, and developing educational programs.