Art can be anything. It could be behavior—as long as it’s beautiful.

Alma Thomas (1891–1978)

Composing Color: Paintings by Alma Thomas invites you to see the world through the eyes of this singular figure in the story of twentieth-century American art. Thomas developed her exuberant form of abstract painting after retiring from a long career as a schoolteacher. Taking inspiration from nature, the cosmos, and music for her vibrant, rhythmic art, Alma Thomas incorporated the intuitive approach of gestural abstraction and beaming hues of color field painting into her work, which goes beyond established genres.

About the Artist

Alma Thomas (1891–1978) developed a powerful form of abstract painting late in life. A talented representational artist, she produced brilliantly colored and richly patterned works intimately connected to the natural world.

Born in Columbus, Georgia, Thomas became the first Howard University graduate in fine arts and earned a master’s degree in arts education at Columbia University. In 1972, she became the first Black woman to have a solo exhibition at the Whitney Museum of American Art. Around then, Thomas reflected on her segregated childhood: “One of the things we couldn’t do was go into museums, let alone think of hanging our pictures there. My, times have changed. Just look at me now.”

Alma Thomas with her portrait by Laura Wheeler Waring, Portrait of a Lady (1947, SAAM) in her home, Washington, DC, 1968.
Alma Thomas with her portrait by Laura Wheeler Waring, Portrait of a Lady (1947, SAAM) in her home, Washington, DC, 1968. Photo by Ida Jervis. Alma Thomas papers, circa 1894-2001, Archives of American Art, Smithsonian Institution

Composing Color: Paintings by Alma Thomas is organized by the Smithsonian American Art Museum. Generous support is provided by the Helen Frankenthaler Foundation, Chris G. Harris, The Wolf Kahn Foundation, and Susan Talley.

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