Painting of a person in a white hat and shirt holding a drum against stark black and red background.

Past Forward
Native American Art from Gilcrease Museum

Through August 25, 2024

Docent Gallery

This exhibition illuminates the extensive collection built by Thomas Gilcrease (Muscogee Nation), surveying more than 3,000 years of Native American art. It is structured around transhistorical themes, encompassing works from portraiture to sculpture, and offers an overview of Indigenous visual culture.

Still from a video of a black person dressed in white and moving against a white background, almost completely erased by digital blur.

Sondra Perry
Double Quadruple Etcetera Etcetera I & II

Through November 3, 2024

Media Arts Watch Gallery

In her two-channel video, Double Quadruple Etcetera Etcetera I & II, Sondra Perry explores what she calls the “slippages of identity” through the vivid and hypnotic digital manipulation of two performers projected onto two of the gallery walls.

Grid of stylized paintings of horses, six across and five tall. Each horse painting is mounted on a different marbled paper.

Wendy Red Star
Bi’ nneete (No Water)

Through December 1, 2024

Forman Gallery

Wendy Red Star’s Bi’ nneete (No Water) is an installation of thirty original drawings forming a “corral” of horses, which hold significance in the Northern Plains Native history and cultures. Each horse is sketched from historical ledger drawings from museums and archives across the United States.

Delicately-drawn watercolor painting of a waterfall in Rochester.

“Faithfully Thought Out”
The Artistic Collaborations of M. Louise Stowell and Harvey Ellis

Through January 5, 2025

Lockhart Gallery

Inspired by a cache of paintings and drawings acquired by the Memorial Art Gallery in 2016, this exhibition illuminates Rochester artists M. Louise Stowell and Harvey Ellis and their friendship and collaboration during their years in Rochester. It recovers Stowell’s contributions to their playful artistic partnership and demonstrates their patient forethought and characteristic shared techniques.

A bird flies through an abstract, geometric space in a mural painted on the walls of the Hurlbut Gallery.

Avinash Kumar’s Illusionary Odyssey

Ongoing

Hurlbut Gallery

Illusionary Odyssey traverses both walls of the corridor and creates a sense of environment by using the architectural pillars in the space. The elements in the artwork show the process of life from creation to destination as manifested by a bird of paradise searching for its ultimate home. Geometric forms within a three-dimensional space show the ups and downs of the journey create the landscape for the entire composition.