Upcoming Exhibitions

Path to Paradise  | “The 613”

Ja’Tovia Gary

Ja’Tovia Gary: Giverny I (NÉGRESSE IMPÉRIALE)

December 20, 2019–April 5, 2020

Ja’Tovia Gary’s Giverny I (NÉGRESSE IMPÉRIALE) film installation re-contextualizes archival images by combining documentary elements and direct animation, connecting the artist’s everyday experience as a Black woman with art history. By contrasting the luxury of Claude Monet’s historic gardens with the vulnerability of her own body, Gary shows how connections between colonialism, state violence, and media shape visual perception: how we see, experience, and understand the visual world.

Shown: Ja’Tovia Gary (American, b. 1984) Still from Giverny I (NÉGRESSE IMPÉRIALE), 2017 © Ja’Tovia Gary. Courtesy Paula Cooper Gallery, New York.


The Path to Paradise: Judith Schaechter’s Stained-Glass Art

February 16–May 24, 2020

The Path to Paradise is the first survey and major scholarly assessment of this groundbreaking artist’s 37-year career. Organized by the Memorial Art Gallery of the University of Rochester, the exhibition will be on view in Rochester from February 15 through May 24, 2020, after which it will travel to two additional venues in the United States. Drawn from both private and institutional collections, The Path to Paradise will feature approximately 45 of Judith Schaechter’s stained-glass panels along with a selection of related drawings and process materials.

shown: Judith Schaechter, The Battle of Carnival and Lent, (detail) 2010-2011, stained, engraved and painted glass.

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“The 613” – Archie Rand

June 14–September 20, 2020

“The 613” challenges commonly held distinctions between abstraction and representation. By linking the Bible’s commandments with oftentimes seemingly unrelated pictures, Rand undermines how people usually expect words and images to function when they are juxtaposed with each other. His loose, pulp fiction-inspired, almost cartoon-like painterly style is as irreverent to the history of painting as it is to the religious traditions it purports to document. The complexity of it all encourages an investigation of both systems of knowledge, that of art history and of Judaism, and demands an engaged viewing on the part of its audience. “The 613” is fundamentally a study of how meaning is made.