For information on exhibitions that opened before January 2017, please contact the public relations office.
Andy Warhol (1928–1987) is among the most recognizable and influential artists of all time. For all of his much-discussed dispassion and irony, he had an uncanny sense of the power and influence of American and popular culture, both in its superficial and more profound forms. Warhol’s focus extended well beyond his famous obsessions with commercialism, celebrity, and glamour. Andy Warhol Portfolios: A Life in Pop features a broad range of the artist’s screen-printed imagery from 1964 to 1985.
learn moreAndy Warhol thrived on outrageousness and got used to critics trashing his work. But today, 33 years after his death, many see him—the king of Pop Art—as the most influential artist of the 20th century. Warhol’s creative activities were boundless: painting, printmaking, film, television, commercial illustration, sculpture, photography, installation art, rock music promotion, publishing, writing, modeling, advertising. He touched nearly every form of aesthetic expression. With this season of exhibitions and installations, MAG presents the most exciting and exhaustive opportunity to experience art by Andy Warhol ever mounted in Rochester.
Warhol loved filling walls and spaces with his art and inundating viewers with his garish color palette and abrasive pop style. But Cow Wallpaper? How absurd. How banal! On this installation of the artist’s wallpaper, MAG hangs the complete portfolio of his eerie Electric Chair prints (1971), effectively combining the banal with a most serious subject matter and striking at heart of Warhol’s famously conflicted aesthetic.
learn moreIn 1966, Warhol declared that he was retiring from painting (ha-ha!), and this installation signaled the end of his painting career. (He never actually stopped painting.) Warhol imagined these helium and air-filled silver pillows as paintings of a sort, exiting galleries and windows and floating away forever. Enjoy Silver Clouds at MAG before it floats away!
learn moreFor Warhol, television was a way to make anyone famous, and he often used informal real-time footage, a prescient version of today’s “reality TV,” to feature both trivial and glamorous subjects. This exhibition in MAG’s Media Arts Watch gallery showcases three of Warhol’s TV series as well as some of his live TV appearances, video clips, and advertisements. More recent material drawn from YouTube explores how his tabloid television anticipated contemporary modes of mass media production. True to the original medium, and in honor of Warhol’s visionary obsession with popular culture, Warhol TV is presented on an outdated CRT television inside a basement hangout space, complete with furniture, games, and a TV guide.
learn morePROGRAM 2: streamed from December 21, 2020 through January 4, 2021
Melting Animals is a family-friendly selection of two programs of animated short films aimed at children and young people. Featuring handmade and digital animation from around the world, this program at MAG virtual will inspire younger audiences through the mind-expanding experience of cinema. An invitation to explore the magic of the natural world using everyday objects, rhythms, and textures. Melting Animals is a creative tool that offers a variety of simple techniques that we hope will motivate you to experiment at home.
July 31–October 11, 2020
The vision of one … the dedication of many.
The exhibition 1940/2020 celebrates the 80th anniversary of the Gallery Council of the Memorial Art Gallery. From its origins in 1940 as the Women’s Council, the organization has served as the primary auxiliary arm of MAG by raising funds for exhibitions and collections and providing volunteers for outreach programs. Beginning in 1956, the Council also raised funds to enrich MAG collections through dozens of new acquisitions. These include works as varied as Rachel Ruysch’s Floral Still Life, Hyacinthe Rigaud’s 1731 portrait of the Archbishop of Paris, tapestries by Fernand Léger and Alexander Calder, and Mortal, a portfolio of woodcuts by the major contemporary artist Kiki Smith. This exhibition, held in the Lockhart Gallery, showcases about 30 of these works acquired over the course of the past 60 years.
Rachel Ruysch, Floral Still Life, detail, 1686
The Path to Paradise is the first survey and major scholarly assessment of this groundbreaking artist’s 37-year career. Organized by the Memorial Art Gallery of the University of Rochester, the exhibition travel to two additional venues in the United States. Drawn from both private and institutional collections, The Path to Paradise will feature approximately 45 of Judith Schaechter’s stained-glass panels along with a selection of related drawings and process materials.
shown: Judith Schaechter, The Battle of Carnival and Lent, (detail) 2010-2011, stained, engraved and painted glass.
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Ja’Tovia Gary’s Giverny I (NÉGRESSE IMPÉRIALE) film installation re-contextualizes archival images by combining documentary elements and direct animation, connecting the artist’s everyday experience as a Black woman with art history. By contrasting the luxury of Claude Monet’s historic gardens with the vulnerability of her own body, Gary shows how connections between colonialism, state violence, and media shape visual perception: how we see, experience, and understand the visual world.
Shown: Ja’Tovia Gary (American, b. 1984) Still from Giverny I (NÉGRESSE IMPÉRIALE), 2017 © Ja’Tovia Gary. Courtesy Paula Cooper Gallery, New York.
February 28–July 19, 2020
Chitra Ganesh’s Sultana’s Dream is an exhibition of Ganesh’s 2018 portfolio of 27 linocuts. The project Sultana’s Dream was inspired by Rokeya Sakhawat Hossain’s early 20th-century story of the same title; the prints—all black linocuts on tan paper—both illustrate elements of the text and use its imagery and themes to explore urgent topics of the political present.
Shown left: The Condition of Womanhood
Plate 1 from Sultana’s Dream, 2018 by Chitra Ganesh (American, b. 1975). Linocut.
Gift of Mr. and Mrs. Alfred E. Lewis and Marion Stratton Gould Fund, by exchange, and funds from deaccessioning, MAG 2019.12.3
In 1989 a group of Deaf artists and a Deaf art historian convened to discuss contemporary art by Deaf artists. Recognizing a growing body of work that explicitly explored Deaf culture and Deaf experience, the group issued a manifesto that proclaimed a new genre of art, articulated its defining features, and named it: De’VIA: Deaf View/Image Art.
The Memorial Art Gallery will exhibit De’VIA: The Manifesto Comes of Age. Featured will be work by the genre’s precursors, founders, and artists whose work, while they may not specifically identify with De’VIA, reflect the movement’s enduring influence. The exhibition draws principally from the permanent collection of RIT’s Dyer Arts Center, which is located on the campus of the National Technical Institute for the Deaf. In a city that is home to one of the largest and most dynamic Deaf communities in the country, MAG is honored to celebrate De’VIA’s significance during the movement’s 30th anniversary year.
shown: Nancy Rourke, Second Wave of Milan, (detail) 2015
October 13, 2019–January 19, 2020
Mucha is most often remembered for the prominent role he played in shaping the aesthetics of French Art Nouveau at the turn of the 20th century.
learn moreExhibition and museum tour organized by Landau Traveling Exhibitions, Los Angeles, CA.
shown: Alphonse Mucha, Zodiaque (detail), 1896. Color lithograph on paper.
August 31–December 1, 2019
The exhibition includes a single-channel digital video piece from Kalup Linzy’s (b. 1977) ongoing series Conversations wit de Churen V. In this series, Linzy combines elements of Def Comedy Jam, Tyler Perry’s “Madea” character, and the early films of John Waters and Andy Warhol with the inherent drama of the soap opera genre. The title, a satirical play on All My Children and As the World Turns, sets the humorous and absurd tone of the piece.
shown: Kalup Linzy (American, b. 1977) Conversations wit da Churen V: As da Art World Might Turn, 2006 (stills, details) Images provided courtesy of Electronic Arts Intermix (EAI), New York. Thelma M. Knapp Fund.
August 2–October 27, 2019
Drawing on her illustrious career as a scholar of American art and popular culture, the watercolor paintings of Karal Ann Marling express her unique and colorful perspective on her intimate home spaces, her hometown of Rochester, and in particular her 19th Ward neighborhood.
shown: Karal Ann Marling, Untitled (front porch), Untitled (Both Sides of the Street), Anything Can Be A Christmas Decoration!, no date.
June 16–September 15, 2019
The Rochester-Finger Lakes Exhibition (ROC-FLX), the oldest juried exhibition in Rochester, was postponed in 2017 to accommodate the expansion and renovation of the museum’s Docent Gallery. The summer of 2019 will mark the 66th installation when we will celebrate and showcase the talents of emerging and established artists from a 27-county region. learn more
October 26, 2018–August 18, 2019
From 1979 to 2012, the Swiss duo of Peter Fischli (b. 1952) and David Weiss (1946–2012) created a distinctly humorous body of multimedia work that employed humble materials and referenced ordinary subjects. Their film The Way Things Go (Der Lauf der Dinge), 1987, features a seemingly endless chain reaction of everyday objects with the expected human intervention needed to incite their movement curiously absent. learn more
shown: Peter Fischli (Swiss, b. 1952) and David Weiss (Swiss, 1946–2012)
The Way Things Go, 1987 (still, detail) Image provided courtesy of Icarus Films.
Gift of Nancy S. and Peter O. Brown
April 12–July 21, 2019
This exhibition showcases diverse works of art linked by the year of their creation, 1969. That year bore witness to some of the most transformative events in modern history, including the first moon landing, the escalation of the Vietnam War and resulting protests, the election of Richard Nixon to the U.S. Presidency, Woodstock and “Abbey Road,” the Stonewall Riots, and the Soviet takeover of Czechoslovakia. Some works are abstractions, some documentation; others are somewhere in between. 1969 Turns 50 is a new way of looking at the work of a wide variety of artists from a distinctive moment in history.
shown: Romare Bearden
American, (Charlotte, NC, 1911 – 1988, New York, NY)
Gospel Song, 1969, American Collage, Mixed media on board, 40 x 30 in. (101.6 x 76.2 cm), Marion Stratton Gould Fund, 70.18
March 3–May 12, 2019
MAG is pleased to announce the world premiere of Lessons of the Hour, a ten-screen installation by artist Isaac Julien. The work is inspired by episodes in the life of Frederick Douglass (1818–1895), the visionary African American abolitionist and freed slave, and by the issues of social justice that shaped his life’s work. Lessons of the Hour—Frederick Douglass is the second exhibition in MAG’s “Reflections on Place” series of media art commissions informed by the history, culture, and politics of the City of Rochester, New York.
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shown: Isaac Julien, Lessons of the Hour, 2019. Courtesy the Artist, Metro Pictures New York, and Victoria Miro London/Venice
Through April 14, 2019
New work by Sarah C. Rutherford, Her Voice Carries | Prelude is now on view in the Hurlbut Gallery. This work is part of her #HerVoiceCarries series, an art project on view throughout Rochester, featuring Rochester women who are changing their individual and collective worlds.
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December 13, 2018–March 31, 2019
The portfolio Modern Czech Photography (Moderní česká fotografie) is a rare and powerful body of work by some of the most important mid-century Czech photographers. Featuring such masters as Jaromír Funke and Josef Sudek, giants in the history of modernism, the portfolio holds special historic importance because it was published in 1943, during World War II and the Nazi occupation of Czechoslovakia. The portfolio is a recent gift to MAG by the museum’s director, Jonathan Binstock, and his wife, Ann. learn more shown: Jaromír Funke (Czech, 1896-1945) Untitled, from the series ‘Time Persists’ (detail) 1932, printed no later than 1943. Gift of L. Ann and Jonathan P. Binstock in honor of Marisol and Moreton Binn.
October 7, 2018–January 6, 2019
This small but powerful focus exhibition of Claude Monet’s “Waterloo Bridge” series includes the stellar example from MAG’s collection along with seven others borrowed from North American sister institutions. Monet saw the paintings both individually and as an ensemble that, collectively, expressed his sense of the essential subject—the atmosphere and colors of the fog-bound landscape of the Thames. The concurrent experience of viewing several of the series will create a special dialogue between the visitor and the works of art. An exciting aspect of this exhibition is the opportunity to work closely with conservation lab at Buffalo State University. Newly-developed photographic technologies that allow close examination of the surface of the picture will make it possible to decipher more about how Monet altered his canvases from their initial rendering in London to his obsessive reworking of the canvases upon his return to France. Learn more shown: Claude Monet, Waterloo Bridge, Veiled Sun (detail) 1903
October 7, 2018–January 6, 2019
Developed as a companion to Monet’s Waterloo Bridge: Vision and Process, this exhibition features artists such as Josef Albers, Victor Vasarely, and Jesús Rafael Soto, who chose abstraction over representation to reveal the mechanics of human vision and make viewers aware of how they see. Learn more shown: Roy Lichtenstein, Cathedral #2 (detail) 1969
August 17–December 2, 2018
Esther Nisenthal Krinitz was 12 in 1939 when the Nazis came to her Polish village. She remembers every detail through a series of exquisitely embroidered fabric collages. Her art is an eyewitness account of tragedy and healing. Listen in to the Rochester Jewish Film Festival interview on Connections with WXXI’s Evan Dawson. Learn more Shown: Passover Matzos, (detail) Embroidery and fabric collage, 1998.
Bruce Nauman’s No, No, New Museum is an iconic work of video art from the 1980s by one of the medium’s most influential practitioners. Its exhibition at MAG is made possible by a partnership with Art Bridges—arts patron Alice Walton’s effort to share outstanding works of American art with museums across the country. learn more shown: Bruce Nauman (American, b. 1941) No, No, New Museum, 1987 Videotape (color, sound), 62 minutes © Art Bridges
Josephine Tota was a first-generation Italian immigrant who spent much of her adult life working as a seamstress in Rochester. In her early seventies, she discovered painting as a means to transform a difficult past into harrowing, self-referential images. Channeling the world around and within her through the legacy of religious art and the language of Surrealism, she produced a decade’s worth of visionary images in the privacy of her home before succumbing to dementia. Fourteen tempera paintings from Memorial Art Gallery’s permanent collection form the core of the exhibition, augmented by approximately 70 from private lenders.
A full-color catalog documents Tota’s contribution to the realm of authentic outsider art and is available for sale in THE STORE @ MAG. Learn more shown: Josephine Tota, Untitled (Self-portrait), 1987
shown: Nancy Jurs, Artist Statement (My Life Has Gotten So Busy, It Now Takes Up All of My Time), 2008My Life Has Gotten So Busy that It Now Takes Up All of My Time is an exhibition of sculptural installations and photographs by Rochester-based artist Nancy Jurs that focuses on self-portraiture, autobiography, and personal narrative. Jurs is well known as a potter who trained at Rochester Institute of Technology’s School for American Craftsmen. Less known are her sculptures and installations that employ found, unaltered objects, which evoke personages or anthropomorphic visions, and her manipulated photographs. These works of art represent a surprising and compelling conceptual thread throughout Jurs’ career. Learn more
shown: Larry Merrill, UntitledWards of Time: Photographs of Antiquities by Larry Merrill includes a selection of images from an ongoing series by Rochester photographer Larry Merrill. In this work, Merrill directs our gaze, magnifying and abstracting the texture and tonal variations of ancient sculptures that signify the accrual of time. As part of the series, Merrill visited the Memorial Art Gallery’s collection and photographed 3rd century BCE miniature sculpted Egyptian heads, which will be on view adjacent to their photographs. Merrill’s photographs offer a reflection on time and decay, on the museum artifact, on history, and on our own mortality. Learn more
Bill Viola: Martyrs–Earth, Air, Fire, and Water October 11, 2017–July 22, 2018
Martyrs is overtly rooted in art historical and religious iconography. Viola said: “The Greek word for martyr originally meant ‘witness.’ In today’s world, the mass media turns us all into witnesses to the suffering of others. The martyrs’ past lives of action can help illuminate our modern lives of inaction. They also exemplify the human capacity to bear pain, hardship, and even death in order to remain faithful to their values, beliefs, and principles. This piece represents ideas of action, fortitude, perseverance, endurance, and sacrifice.” learn more shown: Bill Viola Earth Martyr, 2014; Wind Martyr, 2014; Fire Martyr, 2014; Water Martyr, 2014 Color high-definition video on a flat-panel display mounted vertically on wall 42 3/8 x 24 1/2 x 2 5/8 in. (107.6 x 62.1 x 6.8 cm) 7:10 minutes Photos: Kira Perov
April 22–June 17, 2018
NOSFERATU (The Undead) is the first of three exhibitions to be presented as part of “Reflections on Place,” a series of media art commissions inspired by the City of Rochester and curated by world-renowned authority on the moving image John G. Hanhardt. Experience Javier Téllez’ new installation, which explores the history of cinema and the medium of film itself to address the subject of mental illness. Learn more
Rosalyn Engelman (American, born 1938) is a painter, sculptor, and installation artist. She works with a variety of materials and produces art with a striking range of expressive content. In all of her work, Engelman is searching for beauty, hope, and transcendence. This exhibition features five works from Engelman’s 2003–04 “Echo Sonata” series, which she created following numerous trips to Japan with her husband between 1975 and 1999. Engelman is a University of Rochester alumna, and currently lives and works in New York, NY. Learn more
October 8–December 31, 2017
extended by popular demand to January 7, 2018
This exhibition is the first to showcase the digitally crafted works of Wendell Castle, acclaimed figure of the American art furniture movement. It will feature approximately 40 works of art, including several historically important examples that inspired his latest achievements. learn more Both films featured in this exhibition are open-captioned. shown: Wendell Castle Remastered, Long Night (detail), 2011, photo by Adrien Millot Courtesy of Friedman Benda Gallery and Wendell Castle. Wendell Castle Remastered at the Memorial Art Gallery is an adaptation of the exhibition originally presented at the Museum of Arts and Design, New York, in 2015.
The exhibition Kiyochika and Japan, Transformed showcases over 30 color woodblock prints by Kobayashi Kiyochika (1847-1915), who witnessed firsthand the transformation of Japan when it opened to the West after centuries of isolation. These prints, drawn from the extraordinary collections of University of Rochester alumnus Arthur R. Miller, emphasize the complexities of modern and traditional life in late-19th century Japan. Kiyochika’s work is characterized by his innovative use of light and shadow as well as his juxtapositions of subject matter, both old and new, in his rapidly changing world. learn more
June 30 – September 17, 2017
This single-channel video installation features Lady Bunny, an iconic drag performer. She speaks on politics and current events, dances and lip-syncs. She is a vivid presence, especially considering the wall-size scale of the video. learn more shown: Here she is…v1 (detail) 2015. © Charles Atlas; Courtesy of the artist
September 7–Sunday, September 10, 2017 Opening Performance 6 pm on Thursday, September 7
Rainforest IV is an immersive audio installation created by the Eastman Audio Research Studio (EARS) at the Eastman School of Music, under the direction of Oliver Schneller, with assistance from Allen Topolski, Associate Professor of Art at the University of Rochester. Rainforest is a sonic environment made of handmade, uniquely designed sculptural objects suspended in space and fitted with electric transducers, turning them into resonant sound objects. At this special opening event, Missy Pfohl Smith, Director of the University of Rochester’s Dance and Movement Program, Anne Harris Wilcox, and Rose Pasquarello Beauchamp will improvise a performance to which the musicians will sonically respond. Originally conceived by sound artist and pianist David Tudor in 1973, Rainforest IV is a sonic environment made of handmade, uniquely designed sculptural objects suspended in space and fitted with electric transducers, turning them into resonant sound objects. shown: Installation of Rainforest IV (1973), L’Espace Pierre Cardin, Paris, 1976. Photograph by Ralph Jones (American, b. 1951) © 1976 Ralph Jones. All rights reserved. Image courtesy of Getty Research Institute, Los Angeles. Materials generously donated by Metalico Rochester.
May 19–August 13, 2017
In honor of New York Women’s Suffrage Centennial in 2017, this exhibition explores the power of the female gaze in creating potent and complex images of mothers, thinkers, vixens, heroes, creators, warriors, and agitators. learn more shown: Elizabeth Catlett, Harriet, 1975
April 7–June 18, 2017
The Media Arts Watch gallery will be transformed into a screening room with works projected onto the walls by Terence Gower, Juan Downey, and Alexander Kluge.
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shown: Juan Downey, Hard Times and Culture (still)
RoCo: February 3–March 19, 2017
MAG: February 19–May 7, 2017
See six Pax Kaffraria “chapters” at MAG; one chapter at Rochester Contemporary Art Center (RoCo). Mural-sized narratives of southern African culture. learn more shown: Fully Belly II, 2014 (detail)
January 30 – April 30, 2017
Rauschenberg responded to the rise of mass-media culture during the 1950s and 1960s, by actually making mass media his artistic medium. learn more shown: Surface Series #53 (from Currents), 1970. ©Estate of Robert Rauschenberg / Licensed by VAGA, New York, NY.
January 13-March 26, 2017
As Gibson’s and Recoder’s work suggests, film is not only about images, storytelling and entertainment, but also possesses mechanical, and sculptural dimensions. learn more
November 13, 2016–January 29, 2017
in the Grand Gallery
Includes early figure drawings, lesser-known book illustrations, detailed Italian landscapes, the “tessellations” for which he became famous, and several examples of his signature architectural fantasies in which stairways seem to go nowhere or to mysteriously circle back upon themselves. learn more Back to top
Bodies in Space was the inaugural art exhibition of MAG’s Media Arts Initiative. learn more
September 9-December 31, 2016
in the Lockhart Gallery
learn more Pictured: Indian, Priests Worshipping the Image of Shri Nathaji, ca. 1820. Opaque watercolor, ink, gold, silver paint.
August 21–October 16, 2016
in the Grand Gallery
learn more Pictured: Western Afghanistan, War Rug. Knotted wool. Back to top
August 21–October 16, 2016 in the Grand Gallery learn more Pictured: Binh Danh and Robert Schultz, detail of Unidentified African American soldier with cannon backdrop. Chlorophyll print, resin. Courtesy of the artists. Back to top
June 10–August 28, 2016 in the Lockhart Gallery learn more Pictured:Keith Haring, Apocalypse , 1988. Serigraph. Gift of Sharon and Neil Norry, and Lewis Norry and Jill Katz Norry. Back to top
May 22–July 24, 2016 in the Grand Gallery learn more Pictured: Robert Polidori, 2732 Orleans Ave., New Orleans, LA (2005). Collection of the artist. Back to top
April 29–May 29, 2016 in the Lockhart Gallery Pictured: Reginald Marsh, Ice Cream Cones (1938). Gift of a Friend of the Gallery. Back to top
January 31–April 24, 2016 in the Grand Gallery & Lockhart Gallery learn more Pictured: Tilmann Grawe (France), cocktail dress, 2003-04. Photo courtesy Johnson Publishing Company, LLC. Back to top
December 10, 2015–January 24, 2016 in the Lockhart Gallery learn more Pictured: Video still courtesy David Zwirner, NY/London. Back to top 
October 18, 2015–January 3, 2016 in the Grand Gallery learn more Pictured: Carl W. Peters, Study of Hands (ca. 1940). Back to top 
November 11–January 3 in the Hurlbut Gallery learn more Pictured: Detail of Duchamp Codex (1980s). Polaroid transfer print. Private collection, courtesy Visual Studies Workshop. Back to top 
August 28–November 29, 2015 in the Lockhart Gallery learn more Pictured: Jacob Lawrence, After John Brown’s capture, he was put to trial for his life in Charles Town,Virginia (now West Virginia).
July 26–September 13, 2015 in the Grand Gallery learn more Pictured: Spring Flowers, Jellybeans by Kate Timm of Sterling, Cayuga Co.
May 8–August 16, 2015 in the Lockhart Gallery learn more Pictured: Luciano Guarnieri, Lesser Town Square (1969). Estates of Maurice R. and Maxine B. Forman.
April 26–June 28, 2015 in the Grand Gallery learn more Pictured: Luis Gispert, Living Room (from Urban Myths, PT 1) (2003). C-print.
January 25–March 29, 2015 in the Grand Gallery learn more Pictured: Stone Gate (2007). Collection of the artist. Back to top 
December 12, 2014–April 26, 2015 in the Lockhart Gallery learn more Pictured: Robert Kirschbaum, letterpress and relief print from The 42-Letter Name (2009). Gift of the artist. Back to top 
October 19, 2014–January 4, 2015 in the Grand Gallery learn more Pictured: Gertrude Elliot, Two Little Gardeners (1951). © Random House, Inc. Back to top 
October 19, 2014–January 4, 2015 in the Grand Gallery and exhibition galleries learn more Pictured: Matt Elson, Infinity Box No. 2: You and Me Together (2012). Courtesy of the artist. Back to top 
Japanese Prints from the Arthur R. Miller Collection August 29–November 30, 2014 in the Lockhart Gallery learn more Pictured: Tsukioka Yoshitoshi, Kiyohime Changing into a Serpent at Hidaka River (1890). Back to top 
July 13–September 21, 2014 in the Grand Gallery learn more Back to top 
May 16–August 17, 2014 in the Lockhart Gallery learn more Pictured: Action (Handlung), from A Glove (Ein Handschuh). Knapp Fund. Back to top 
April 6–June 8, 2014 in the Grand Gallery learn more Back to top 
April 6–June 8, 2014 in the Grand Gallery learn more Pictured: Charger (2013). Collection of Dr. and Mrs. William Eby. Back to top 
April 24–May 10, 2014 in the Lucy Burne Gallery learn more Back to top 
January 31–May 4, 2014 in the Lockhart Gallery learn more Pictured: Eduardo Paolozzi, Llalla Pallooza… Image fades but memory lingers on. Back to top 
January 19– March 16, 2014 in the Grand Gallery learn more Pictured: Shunsuke Kano, B&B_06 (2008). Courtesy Ewing Gallery of Art & Architecture. Back to top 
January 19– March 16, 2014 in the Grand Gallery learn more Pictured: Shiro Takagi, Japanese Form (Tomoe) (1964). Marion Stratton Gould Fund. Back to top 
September 6, 2013–January 19, 2014 in the Lockhart Gallery learn more Pictured: Charles Demuth, Zinnias (1915). Gift of Gertrude Herdle Moore and Isabel C. Herdle in memory of their father, George L. Herdle. Back to top 
October 9–December 29, 2013 in the Grand Gallery learn more Pictured: Emily Miah Stewart, Memory Map of Joe’s Pond (2004). Private collection. Back to top 
September 24–October 24, 2013 in the Lucy Burne Gallery (Creative Workshop) Learn more Pictured: Works by Creative Workshop alumnus Daniel Lempert and former head of ceramics Alex Hazlett. Back to top 
July 14–September 8, 2013 in the Grand Gallery Learn more Back to top 
May 24–August 18, 2013 in the Lockhart Gallery Learn more Pictured: Kiki Smith, woodcut from the portfolio Mortal (2007). Gift of the Gallery Council. Back to top
March 17-June 9, 2013 in the Grand Gallery Learn more Pictured: Eugen Bracht Morning Star, ca. 1900 Back to top 
January 25–May 12, 2013 in the Lockhart Gallery Learn more Pictured: John Marin, Three Master (1923). Gift of a Friend of the Gallery. ©2012 Estate of John Marin / Artists Rights Society (ARS), New York Back to top 
April 15–May 9, 2013 in the Lucy Burne Gallery (Creative Workshop) Learn more Pictured: In Transition is by Richmond Futch Jr., who got his start as a Creative Workshop student. Back to top 
February 10–April 21, 2013 throughout the galleries Learn more Pictured: Winslow Homer, The Artist’s Studio in an Afternoon Fog (1894) and the new work it inspired, a bracelet by Loraine Cooley, Webster, NY. Back to top
