Modern Icon: The Machine as Subject in American Art

Modern Icon: The Machine as Subject in American Art February 3–May 6, 2012 in the Lockhart Gallery Sponsored by Eastman Kodak Company
Thumb	Link	Credit Line
	benton.jpg 572KB	Thomas Hart Benton, Ten Pound Hammer (1967). Lithograph. Charles Rand Penney Collection.
	burchfield.jpg 346KB	Charles Ephraim Burchfield, Telegraph Pole (1935). Watercolor, charcoal and graphite. Gift of Mrs. Charles H. Babcock.
	darcangelo.jpg 308KB	Allan D’Arcangelo. Landscape III. Color serigraph. Marion Stratton Gould Fund.
	goings.jpg 575KB	Ralph Goings, Paul’s Corner (ca. 1970). Offset lithograph. Charles Rand Penney Collection.
	kertesz.jpg 624KB	Andre Kertesz, Fan, New York, 1937. Gelatin silver print. Gift of the Genesee Valley School Development Association.
	lozowick.jpg 284KB	Louis Lozowick, Aeroplane, Image Thrown on a Screen (1926–27). Graphite and white ink with black paint. Anonymous gift.
	marin.jpg 359KB	John Marin, Downtown, New York (1921). Etching. Charles Rand Penney Collection.
	sheeler.jpg 1.32MB	Charles Sheeler, Ballet Mechanique (1931). Conte crayon. Gift of Peter Iselin and his sister, Emilie Iselin Wiggin.
	wenrich.jpg 498KB	John C. Wenrich, Asphalt Plant, Painted Post, NY. Watercolor. Marion Stratton Gould Fund.