This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

This exhibition brings together 34 powerful American and European works, all created since the 1950s, that explore the biological, psychological or spiritual volatility of the human figure. The works--by such powerhouse artists as Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Philip Guston, Eric Fischl, Jenny Saville and Julian Schnabel--employ a wide range of painterly effects to suggest the carnal properties of human flesh, as well as its metaphorical significance. MAG is one of only two tour stops for this show.

This exhibition has been organized by the Frist Center for the Visual Arts, Nashville, TN. It is supported by an indemnity from the Federal Council on the Arts and Humanities. In Rochester, it is made possible by Victoria and William Cherry, with additional support from the George D. and Freida B. Abraham Foundation, the Herdle-Moore Fund and an anonymous donor.

Pictured: Jenny Saville, Hyphen (1999). Private collection, Courtesy of Gagosian Gallery.

With its stark simplicity and strong form, the art of the Inuit people of Canada is sought by collectors all over the world. Acting as a record of the "old ways," Inuit sculptures and prints often depict Arctic animals or activities such as seal hunting and fishing which were once critical to survival. While ivory and stone carvings have been traded with Europeans for centuries, prints have been a major source of livelihood only since the mid-20th century, when the Inuit began resettling in government communities. This exhibition of 11 prints and 15 sculptures from the Gallery's collection is offered in conjunction with the opening of the new Traditions and Encounters gallery.

Pictured: Kenojuak Ashevak, Raven Silhouette II (1998). Color stonecut.

With its stark simplicity and strong form, the art of the Inuit people of Canada is sought by collectors all over the world. Acting as a record of the "old ways," Inuit sculptures and prints often depict Arctic animals or activities such as seal hunting and fishing which were once critical to survival. While ivory and stone carvings have been traded with Europeans for centuries, prints have been a major source of livelihood only since the mid-20th century, when the Inuit began resettling in government communities. This exhibition of 11 prints and 15 sculptures from the Gallery's collection is offered in conjunction with the opening of the new Traditions and Encounters gallery.

Pictured: Kenojuak Ashevak, Raven Silhouette II (1998). Color stonecut.

This exhibition brings together 34 powerful American and European works, all created since the 1950s, that explore the biological, psychological or spiritual volatility of the human figure. The works--by such powerhouse artists as Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Philip Guston, Eric Fischl, Jenny Saville and Julian Schnabel--employ a wide range of painterly effects to suggest the carnal properties of human flesh, as well as its metaphorical significance. MAG is one of only two tour stops for this show.

This exhibition has been organized by the Frist Center for the Visual Arts, Nashville, TN. It is supported by an indemnity from the Federal Council on the Arts and Humanities. In Rochester, it is made possible by Victoria and William Cherry, with additional support from the George D. and Freida B. Abraham Foundation, the Herdle-Moore Fund and an anonymous donor.

Pictured: Jenny Saville, Hyphen (1999). Private collection, Courtesy of Gagosian Gallery.

This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

This docent-led tour of the exhibition meets at the Admission Desk. Included in Gallery admission.

Pictured: Pablo Picasso, The Artist and His Model (1964). Albright-Knox Art Gallery, Buffalo, NY.

This exhibition brings together 34 powerful American and European works, all created since the 1950s, that explore the biological, psychological or spiritual volatility of the human figure. The works--by such powerhouse artists as Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Philip Guston, Eric Fischl, Jenny Saville and Julian Schnabel--employ a wide range of painterly effects to suggest the carnal properties of human flesh, as well as its metaphorical significance. MAG is one of only two tour stops for this show.

This exhibition has been organized by the Frist Center for the Visual Arts, Nashville, TN. It is supported by an indemnity from the Federal Council on the Arts and Humanities. In Rochester, it is made possible by Victoria and William Cherry, with additional support from the George D. and Freida B. Abraham Foundation, the Herdle-Moore Fund and an anonymous donor.

Pictured: Jenny Saville, Hyphen (1999). Private collection, Courtesy of Gagosian Gallery.

With its stark simplicity and strong form, the art of the Inuit people of Canada is sought by collectors all over the world. Acting as a record of the "old ways," Inuit sculptures and prints often depict Arctic animals or activities such as seal hunting and fishing which were once critical to survival. While ivory and stone carvings have been traded with Europeans for centuries, prints have been a major source of livelihood only since the mid-20th century, when the Inuit began resettling in government communities. This exhibition of 11 prints and 15 sculptures from the Gallery's collection is offered in conjunction with the opening of the new Traditions and Encounters gallery.

Pictured: Kenojuak Ashevak, Raven Silhouette II (1998). Color stonecut.

With its stark simplicity and strong form, the art of the Inuit people of Canada is sought by collectors all over the world. Acting as a record of the "old ways," Inuit sculptures and prints often depict Arctic animals or activities such as seal hunting and fishing which were once critical to survival. While ivory and stone carvings have been traded with Europeans for centuries, prints have been a major source of livelihood only since the mid-20th century, when the Inuit began resettling in government communities. This exhibition of 11 prints and 15 sculptures from the Gallery's collection is offered in conjunction with the opening of the new Traditions and Encounters gallery.

Pictured: Kenojuak Ashevak, Raven Silhouette II (1998). Color stonecut.

This exhibition brings together 34 powerful American and European works, all created since the 1950s, that explore the biological, psychological or spiritual volatility of the human figure. The works--by such powerhouse artists as Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Philip Guston, Eric Fischl, Jenny Saville and Julian Schnabel--employ a wide range of painterly effects to suggest the carnal properties of human flesh, as well as its metaphorical significance. MAG is one of only two tour stops for this show.

This exhibition has been organized by the Frist Center for the Visual Arts, Nashville, TN. It is supported by an indemnity from the Federal Council on the Arts and Humanities. In Rochester, it is made possible by Victoria and William Cherry, with additional support from the George D. and Freida B. Abraham Foundation, the Herdle-Moore Fund and an anonymous donor.

Pictured: Jenny Saville, Hyphen (1999). Private collection, Courtesy of Gagosian Gallery.

This docent-led tour of the exhibition meets at the Admission Desk. Included in Gallery admission.

Pictured: Pablo Picasso, The Artist and His Model (1964). Albright-Knox Art Gallery, Buffalo, NY.

Naomi Gregory, a graduate student at the Eastman School of Music, gives a 25-minute presentation and mini-recital on the Italian Baroque organ. Repeated at 3 pm. Included in Gallery admission.

Naomi Gregory, a graduate student at the Eastman School of Music, gives a 25-minute presentation and mini-recital on the Italian Baroque organ. Also at 1 pm. Included in Gallery admission.

This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

This exhibition brings together 34 powerful American and European works, all created since the 1950s, that explore the biological, psychological or spiritual volatility of the human figure. The works--by such powerhouse artists as Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Philip Guston, Eric Fischl, Jenny Saville and Julian Schnabel--employ a wide range of painterly effects to suggest the carnal properties of human flesh, as well as its metaphorical significance. MAG is one of only two tour stops for this show.

This exhibition has been organized by the Frist Center for the Visual Arts, Nashville, TN. It is supported by an indemnity from the Federal Council on the Arts and Humanities. In Rochester, it is made possible by Victoria and William Cherry, with additional support from the George D. and Freida B. Abraham Foundation, the Herdle-Moore Fund and an anonymous donor.

Pictured: Jenny Saville, Hyphen (1999). Private collection, Courtesy of Gagosian Gallery.

With its stark simplicity and strong form, the art of the Inuit people of Canada is sought by collectors all over the world. Acting as a record of the "old ways," Inuit sculptures and prints often depict Arctic animals or activities such as seal hunting and fishing which were once critical to survival. While ivory and stone carvings have been traded with Europeans for centuries, prints have been a major source of livelihood only since the mid-20th century, when the Inuit began resettling in government communities. This exhibition of 11 prints and 15 sculptures from the Gallery's collection is offered in conjunction with the opening of the new Traditions and Encounters gallery.

Pictured: Kenojuak Ashevak, Raven Silhouette II (1998). Color stonecut.

"Seeing America." This inservice for art, ELA and social studies teachers explores new and creative strategies for bringing American history to life. The cost is $30. Registration and prepayment are required. For additional information or to register, contact Kerry Donovan at kdonovan@mag.rochester.edu or 585.276.8970.

This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

With its stark simplicity and strong form, the art of the Inuit people of Canada is sought by collectors all over the world. Acting as a record of the "old ways," Inuit sculptures and prints often depict Arctic animals or activities such as seal hunting and fishing which were once critical to survival. While ivory and stone carvings have been traded with Europeans for centuries, prints have been a major source of livelihood only since the mid-20th century, when the Inuit began resettling in government communities. This exhibition of 11 prints and 15 sculptures from the Gallery's collection is offered in conjunction with the opening of the new Traditions and Encounters gallery.

Pictured: Kenojuak Ashevak, Raven Silhouette II (1998). Color stonecut.

This exhibition brings together 34 powerful American and European works, all created since the 1950s, that explore the biological, psychological or spiritual volatility of the human figure. The works--by such powerhouse artists as Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Philip Guston, Eric Fischl, Jenny Saville and Julian Schnabel--employ a wide range of painterly effects to suggest the carnal properties of human flesh, as well as its metaphorical significance. MAG is one of only two tour stops for this show.

This exhibition has been organized by the Frist Center for the Visual Arts, Nashville, TN. It is supported by an indemnity from the Federal Council on the Arts and Humanities. In Rochester, it is made possible by Victoria and William Cherry, with additional support from the George D. and Freida B. Abraham Foundation, the Herdle-Moore Fund and an anonymous donor.

Pictured: Jenny Saville, Hyphen (1999). Private collection, Courtesy of Gagosian Gallery.

This docent-led tour of the collections is included in Gallery admission.

This exhibition demonstrates how Creative Workshop students and faculty often draw upon such sources as the Memorial Art Gallery collection. Each work is accompanied by the story of its inspiration and a map showing the source.

Open during regular business hours (Monday-Friday, 9 am to 5 pm). For additional hours, including some Saturdays and evenings, call the Workshop, 585-276-8959.

This exhibition brings together 34 powerful American and European works, all created since the 1950s, that explore the biological, psychological or spiritual volatility of the human figure. The works--by such powerhouse artists as Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Philip Guston, Eric Fischl, Jenny Saville and Julian Schnabel--employ a wide range of painterly effects to suggest the carnal properties of human flesh, as well as its metaphorical significance. MAG is one of only two tour stops for this show.

This exhibition has been organized by the Frist Center for the Visual Arts, Nashville, TN. It is supported by an indemnity from the Federal Council on the Arts and Humanities. In Rochester, it is made possible by Victoria and William Cherry, with additional support from the George D. and Freida B. Abraham Foundation, the Herdle-Moore Fund and an anonymous donor.

Pictured: Jenny Saville, Hyphen (1999). Private collection, Courtesy of Gagosian Gallery.

With its stark simplicity and strong form, the art of the Inuit people of Canada is sought by collectors all over the world. Acting as a record of the "old ways," Inuit sculptures and prints often depict Arctic animals or activities such as seal hunting and fishing which were once critical to survival. While ivory and stone carvings have been traded with Europeans for centuries, prints have been a major source of livelihood only since the mid-20th century, when the Inuit began resettling in government communities. This exhibition of 11 prints and 15 sculptures from the Gallery's collection is offered in conjunction with the opening of the new Traditions and Encounters gallery.

Pictured: Kenojuak Ashevak, Raven Silhouette II (1998). Color stonecut.

This docent-led tour of the exhibition meets at the Admission Desk. Included in Gallery admission.

Pictured: Pablo Picasso, The Artist and His Model (1964). Albright-Knox Art Gallery, Buffalo, NY.